Something about "So Far Away" seemed like a perfect "atoning" song.
Outside my window, the first chords are broken by the clamor of Canada geese as they make their way across Lake Mendota.
It was a year ago when I still believed that if I were careful enough and clever enough, I could escape unhappiness. I thought of my own bitterness like something clumsy, ancient, and almost blind: present, certainly, but bumbling and unable to find me unless I was careless. I regarded it was an almost superstitious understanding of moments of baseless melancholy, sudden sadness that sat in the back of my mouth like the aftertaste of some acrid medicine. And, like many superstitious people, I collected talismans that I thought would divert it: the cool breeze of a fall day, acting as though I were busy when I wasn’t, looking out my window as a mixture of rain and snow pelted against it and imagining that being inside a warm room was reason enough to be content (if I said this to myself enough, it would turn into something present enough to be considered).
In the past year, I have run again, packing up my life, discarding what must be discarded (whatever happened to that box of potholders and the empty whiskey bottle with the interesting shape), and going again to someplace new where I would again sit on the evening before the Day of Atonement in weather slightly too warm for the season. I would, once again, have my windows open and let the air shuffle the stillness of my room and wait for the forced hunger.
I would, once again, believe that by abstaining from what sustained me, I could purge the lingering wisps of angst that clung to me like the remnants of a spider web in places I couldn’t precisely locate, as though these feelings were sustained by food and water, as though it would howl like the slowest dog in the pack, arriving to the carcass too late for meat, and wither into something that could be contained.
It was the geese that I couldn’t forget. Being on the ninth floor, they flew level to me, and I wondered for a second how they knew what was coming, how they knew what to flee and when to return. I scold myself gently. “Silly boy,” I say to no one in particular.
However, for a moment, I couldn’t shake the wonder of their instinct, their ability to fly thousands of miles from the cool-blue lakes of the north and the forest grounds covered in pine needles and find their way back again when that world was more temperate. Instinct, again. The geese did it just as easily before the cities and before people tossed hunks of bread and their own regrets into ponds in hopes that the waterbirds would eat them in the same mouthful.
It wasn’t something I could help but be impressed by. I had spent years looking up at spreading v of birds in the sky. I had been told that if I ever hunted them, to shoot the bird at the back of the flock. If you shoot the first bird, I’d been warned, the other birds would see and scatter, but if you worked from the back, you could get the whole flock if that’s what you wanted. It was, I suppose, a moment when instinct wasn’t so impressive, when only seeing the bird in front of you get blasted out of the sky was the first sign of trouble, but you also have to think about what kind of person would aim a gun at something like that in the first place. Yet, for a moment, I could think of nothing else but the flapping of wings and the fantastic bliss of knowing exactly where you are flying.
"Silly boy," I say again. "Don't be seduced. You wouldn't even know what you are flying away from."
I quickly slice a hunk of baguette and leave the rest of it to harden (I hadn’t thought about the fast when I purchased it still slightly hot from the oven) and slather it with peanut butter to sustain me for 25 hours (you can stop at any time, you know, no one is watching). I listen for a moment, but the honking is gone.
My head is filled of the sound of my own chewing, and I look once again out the window.
The geese disappear southward as the first stars of twilight blend seamlessly with the lights from distant windows.